Helix is a CPU-friendly and highly versatile Synthesizer with a surprisingly high sound quality. It comes with a lot of presets and built-in effects, as well as three Filters per voice, including traditional low/band/high pass, EQ, and comb, less usual dynamics, three stereo distortion stages, and more. Polym download page on this page you’ll find: full version installers: the installers you’ll need if you have purchased the polym. Demo version installers: the files needed to install the dongle free demo version ask for a time limited license (ilok or elicenser): the license you need for demoing the full featured version archives: the link to follow for older versions the manual.
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- Free VST Plug-ins My older plug-ins are still freely available in the following pack, which contains Glitch 1.3, Crusher, Stretch, and TapeStop. Download Windows 32-bit VST Plug-ins (1.2 MB).
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Atlantis is a unique synthesizer VSTi. It has nearly unlimited possibilities for creating new and exciting sounds! It is also a powerful effects module that can be used to process other audio.
3 true stereo morphing oscilators, with independant width, phase, spread, chorus, tuning, volume, envelope and panning feed into a pair of filters (with your standard algorithms and a lot of unique new favorites), a shaper (distortions and beyond), and a simple room modelling multitap filtered delay system with another pair of selectable filters. The routing of the filters and shaper can also be switched into a variety of configurations for further flexibility.
All the standard waveforms you would expect (sin, square, triangle, saw, noise)- and you can also import ANY waveform you like! Simply add a .wav file with the waveform you want to hear to the Data Folder (as specified in the Config Dialog) – stereo or mono, any samplerate or bitdepth you like, and Atlantis will let you use it for oscilators and LFOs. Samples are upsampled into very high resolution wavetables.
Every slider parameter can be controlled by ANY modulator. LFOs, Envelopes, MIDI Control Data, the current note, velocity, follower, or combinations of them can be used to modulate your sounds into expressive organic creations previously unheard by human ears.
What synth would be complete without selectable Polyphonic, Monophonic, Portamento and Arpeggio modes?
All that, it’s fast and it sounds great, too? What the hell?!”
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Source : Jeremy Evers